Titlebook: Cultural Specificity in Indonesian Film; Diversity in Unity David Hanan Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Anth

干涉

形上升才刺激

Regions and Regional Societies and Cultures in the Indonesian Cinema,ms and forms of expression, and its social structure. The chapter emphasizes the different approaches of each film to the society in which its story is set. Directors whose work is discussed include Djayakusuma, Asrul Sani, Nya Abbas Akup, Eros Djarot and Garin Nugroho.

BLUSH

Body Language: From Wall Reliefs and Painting to Popular Narrative Film,rption of teenagers in a same-sex group to the formation of a heterosexual couple in two Indonesian films. He concludes with reflections on the political implications of group conformity, satirized in an important, suppressed Indonesian film.

拖債

Women in a Context of Cultural Difference,of the superior status (compared with India, for example) given to women in some countries in early modern South East Asia, and signs of its presence even in contemporary times, as discerned by Western anthropologists.

頌揚本人

嚴峻考驗

https://doi.org/10.1007/978-3-319-40874-3Anthropology; Body language; Film; Cinema; World cinema; Third world cinema; South East Asia; Indonesia; Rep

Morsel

978-3-319-82206-8The Editor(s) (if applicable) and The Author(s) 2017

Blazon

David HananThe only book in English that explores systematically films regarded in Indonesia as classics.Surveys the pre-1950 production industry from its beginnings in the colonial period in 1926.Addresses dire

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