| 書目名稱 | Cultural Specificity in Indonesian Film | | 副標題 | Diversity in Unity | | 編輯 | David Hanan | | 視頻video | http://file.papertrans.cn/241/240900/240900.mp4 | | 概述 | The only book in English that explores systematically films regarded in Indonesia as classics.Surveys the pre-1950 production industry from its beginnings in the colonial period in 1926.Addresses dire | | 圖書封面 |  | | 描述 | This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.? | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | Anthropology; Body language; Film; Cinema; World cinema; Third world cinema; South East Asia; Indonesia; Rep | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-40874-3 | | isbn_softcover | 978-3-319-82206-8 | | isbn_ebook | 978-3-319-40874-3 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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