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Titlebook: Cultural Intermediaries; Audience Participati Jonathon Hutchinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cultural I

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發(fā)表于 2025-3-25 04:58:16 | 只看該作者
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發(fā)表于 2025-3-25 09:05:04 | 只看該作者
978-3-319-88211-6The Editor(s) (if applicable) and The Author(s) 2017
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發(fā)表于 2025-3-25 13:23:13 | 只看該作者
The Media and Representation of Leadership,hapter will primarily serve to introduce the book’s conceptual parameters and provide an overall reflection on new trends for the scholarly study of convergence culture, participation, and online communities. The field has tended to move beyond the ubiquitous manifestation of convergence that sees u
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發(fā)表于 2025-3-26 03:08:01 | 只看該作者
The Trouper on the Flying Trapezeipation within global media organizations, we need to look at cultural intermediation as the most contemporary approach towards a genuine convergence culture. Building on the conceptual work of Chap.?., this chapter is organized around three distinct sections to strengthen the argument for cultural
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發(fā)表于 2025-3-26 05:58:05 | 只看該作者
The Trouper on the Flying TrapezeC and how they have incorporated social media platforms, co-creation and user participation historically since developing their online presence. The scholarship acknowledges that public service broadcasting has developed beyond the production and procurement of programming, to also include innovativ
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發(fā)表于 2025-3-26 11:16:20 | 只看該作者
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發(fā)表于 2025-3-26 14:40:47 | 只看該作者
The Trouper on the Flying Trapeze The global screen industries have been experimenting with user participation for several years, based on broad cultural goals, which has also ignited broader media debates. The public service media (PSM) remit requires the Australian Broadcasting Corporation (ABC) to provide for minorities whilst f
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發(fā)表于 2025-3-26 18:54:50 | 只看該作者
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