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Titlebook: Cultural Intermediaries; Audience Participati Jonathon Hutchinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cultural I

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發(fā)表于 2025-3-21 20:08:04 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Cultural Intermediaries
副標題Audience Participati
編輯Jonathon Hutchinson
視頻videohttp://file.papertrans.cn/241/240832/240832.mp4
概述Offers an up-to-date account of how audience participation manifests within media organisations through convergence culture, demonstrating how cultural intermediation enables the co-creative process.D
圖書封面Titlebook: Cultural Intermediaries; Audience Participati Jonathon Hutchinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cultural I
描述.This book interrogates the existing theories of convergence culture and audience engagement within the media and communication disciplines by providing grounded examples of social media use as a social mobilization tool within the media industries. As digital influencers garner large audiences across platforms such as YouTube and Instagram, they sway opinions and tastes towards often-commercial interests. However, this everyday social media practice also presents an opportunity for socially and morally motivated intermediaries to impact on public issues.. .Cultural Intermediaries: Audience Participation in Media Organisations?.is intended to provide an explicit overview of how one notable media organization, the Australian Broadcasting Corporation (ABC), incorporates participation into its production methodology, while maintaining its role as a public service media organisation. The book provides several cases studies of successful audience participation across socially motivated projects. Finally, the book provides an updated framework to understand how cultural intermediation can facilitate authentic audience participation in media organisations..
出版日期Book 2017
關(guān)鍵詞Cultural Intermediation; Cultural Production; Audience Engagement; Convergence Culture; Public Service M
版次1
doihttps://doi.org/10.1007/978-3-319-66287-9
isbn_softcover978-3-319-88211-6
isbn_ebook978-3-319-66287-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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發(fā)表于 2025-3-22 00:49:42 | 只看該作者
Introduction,to mere market-driven activities and provides little contribution to knowledge. However, online communities and user participation continue to steadily grow through social network sites and online community platforms specifically built for the purpose of media convergence. This chapter introduces wh
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發(fā)表于 2025-3-22 05:40:24 | 只看該作者
Institutional Cultural Intermediationn facilitators . economic taste agents within the cultural industries. In the context of this book, cultural intermediation takes on the role of the third substructure by both representing emerging new roles within media organizations that engage the increasingly blurred lines between cultural produ
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Co-creation as the Basis for Cultural Intermediationion, this chapter outlines ABC Pool (abc.net.au/pool), a now defunct platform that was developed and facilitated by the ABC to enable users to contribute user-created content (UCC). This UCC was hosted on ABC supported servers, and in some instances, ABC long-form radio documentaries, web production
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Alternative Forms of Participation in Media Organizationsn alternative to the very successful Triple J radio network that is aimed at 16–24-year-old listeners. During 2015, Double J, as part of its J Files programme that showcases artists, undertook a participatory project that chose fans of an international rock act, The Black Keys, to curate and produce
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