Titlebook: Crisis and Contemporary Poetry; Anne Karhio (Lady Gregory Fellow),Seán Crosson (Pr Book 2011 Palgrave Macmillan, a division of Macmillan P

aspersion

Brigitte Polzin,Peter Ringler,Herre Weiglet, most famously the Northern Irish Troubles, several of his poems take acts of violence, experiences of loss and separation, as well as the crises of war, terror and the ‘war on terror’ as their subject-matter. They also display a profound distrust of the kind of language that would offer any simp

Infusion

Zweite Etappe – Standortbetrachtungon’s ‘The Vision of Judgment’ and Paul Muldoon’s poetic sequences ‘Madoc’ and ‘Horse Latitudes’, create crises in modern states and their empires. Carey, who once called Muldoon a ‘pantomime horse’ to Heaney’s ‘Derby winner’ (1987, p. 56), perhaps inspired, as Ivan Phillips (2005) has argued, the eq

outer-ear

finite

Letzte Etappe – die Schatzkartees of the art of poetry as counterstance and counterbalance — both to prevailing social norms that devalue and oppress certain groups of people based upon race and sex-gender categories, and to prevailing aesthetic traditions which denote inclusion or exclusion within the British literary compass an

斷言

s collection of essays addresses poetic and critical responses to the various crises encountered by contemporary writers and our society, from the Holocaust to the ecological crisis.978-1-349-31981-7978-0-230-30609-7

六個才偏離

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真繁榮

AVID

Persona, Trauma and Survival in Louise Glück’s Postmodern, Mythic, Twenty-First-Century ‘October’oid is such as Jean Baudrillard observed and prophesied — a place where America has ‘come to the end’ (Baudrillard, 1988, p. 98), and where Glück questions her role in recreating the myth and representing the historical. She tells us, ‘This is the present, an allegory of waste’ (p. 11).

抱怨

‘In a ghostly pool of blood / a crumpled phantom hugged the mud’: Spectropoetic Presentations of Blodependent upon both dimensions. Justice based upon the life of the living present enters the problems of relativity, whereas any metaphysical underpinning of justice transports the concept beyond its empirical and ontological actuality. Justice is not immediate consensus — if that were ever a possib

言行自由

‘The Given Note’: Traditional Music, Crisis and the Poetry of Seamus Heaneys of identity that has preoccupied Irish poets since at least the time of Yeats, a crisis brought on by the discontinuity in the Irish literary tradition, by an unresolved postcolonial condition and a struggle between the pull of community and tradition and that of the individual artist. Heaney’s po