Titlebook: Crisis and Contemporary Poetry; Anne Karhio (Lady Gregory Fellow),Seán Crosson (Pr Book 2011 Palgrave Macmillan, a division of Macmillan P

jet-lag

‘Crisis first-hand’: Seamus Heaney before and after the Ceasefiree shift from long-established and accustomed modes of behaviour to the sudden apprehension of crisis. It happens in ‘Funeral Rites’ with the deftly placed ‘Now’ at the beginning of Section II of the poem, preceding the grotesque and intimate alignment of ‘neighbourly murder’: ‘Now as news comes in /

現(xiàn)暈光

‘The memorial to all of them’: Landscape and the Holocaust in the Poetry of Michael Longleyt. The seven-year-old is chastened by his impact on this world. Nonetheless, having fought his curiosity for a week, the child returns to the tree only to witness a previously unimaginable level of specifically human destructiveness. The poet’s anger remains visceral over sixty years after this even

scrutiny

Extort

hegemony

hysterectomy

The Body of Text Meets the Body as Text: Staging (I)dentity in the Work of SuAndi and Lemn Sissay and performance heritages) and yet also frequently identifying with African diasporic traditions as a resistance to their socio-political marginalization in national, racial and familial relations. Their work spans written and spoken-word genres (poetry, monodrama) and presents a challenge to exist

indoctrinate

Anne Karhio (Lady Gregory Fellow),Seán Crosson (Pr

和平主義者

,Wasserf?rderung und Mengenmessung, historical contexts. Michael Murphy writes of the ‘witness’ that ‘his poetry bears to events that engulfed Central Europe in the middle years of the 20th century’ (Murphy, 2004, p. 143). ‘Bearing witness’ is indeed a key element in the processes of remembrance, reconstruction and retrieval that cha

Herbivorous