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Titlebook: Creativity in the Digital Age; Nelson Zagalo,Pedro Branco Book 2015 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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11#
發(fā)表于 2025-3-23 13:03:41 | 只看該作者
Fabricating Futures: Envisioning Scenarios for Home Fabrication Technologyalize it. The scope of activities and practices that fit under the heading of Maker Culture is vast: woodworking, electronic prototyping, robotics, urban farming, software development, fire-art, weaving, circuit-bending, citizen science, prop-making, cosplay, reenactment, soapbox racer rallies, home
12#
發(fā)表于 2025-3-23 17:08:29 | 只看該作者
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發(fā)表于 2025-3-23 18:11:09 | 只看該作者
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發(fā)表于 2025-3-24 01:02:18 | 只看該作者
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發(fā)表于 2025-3-24 05:53:45 | 只看該作者
inverse problems and theoretical imagingr sounding objects. Creative technologies have always been the basis for human expressivity: to sustain self-realization, to raise self-esteem, to increase community bonds, and to create a better society. Also understanding technology as “anything useful invented by a mind” (Kelly, What technology w
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發(fā)表于 2025-3-24 09:18:22 | 只看該作者
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發(fā)表于 2025-3-24 12:44:55 | 只看該作者
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發(fā)表于 2025-3-24 18:55:54 | 只看該作者
19#
發(fā)表于 2025-3-24 21:43:30 | 只看該作者
Zur Geschichte der Wirtschaftsinformatik,heir childhood photos in Facebook or writing their opinions or stories on a blog as an example. These digital narratives reflect the narrators’ notions about their identities and circumstances in different timeframes (present, past and future). They can also come to influence others and make them al
20#
發(fā)表于 2025-3-25 02:49:58 | 只看該作者
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