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Titlebook: Creativity in the Digital Age; Nelson Zagalo,Pedro Branco Book 2015 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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書目名稱Creativity in the Digital Age
編輯Nelson Zagalo,Pedro Branco
視頻videohttp://file.papertrans.cn/240/239599/239599.mp4
概述Timely presentation of how technology is influencing creative processes.Brings together perspectives from computer science, design, communication, engineering and the arts.Learn what differentiates cr
叢書名稱Springer Series on Cultural Computing
圖書封面Titlebook: Creativity in the Digital Age;  Nelson Zagalo,Pedro Branco Book 2015 The Editor(s) (if applicable) and The Author(s), under exclusive licen
描述This edited book discusses the exciting field of Digital Creativity. Through exploring the current state of the creative industries, the authors show how technologies are reshaping our creative processes and how they are affecting the innovative creation of new products. Readers will discover how creative production processes are dominated by digital data transmission which makes the connection between people, ideas and creative processes easy to achieve within collaborative and co-creative environments. Since we rely on our senses to understand our world, perhaps of more significance is that technologies through 3D printing are returning from the digital to the physical world. Written by an interdisciplinary group of researchers this thought provoking book will appeal to academics and students from a wide range of backgrounds working or interested in the technologies that are shaping our experiences of the future.
出版日期Book 2015
關(guān)鍵詞Computational creativity; Creative Technologies; Digital Arts; Digital Creativity; Digital Society
版次1
doihttps://doi.org/10.1007/978-1-4471-6681-8
isbn_softcover978-1-4471-7247-5
isbn_ebook978-1-4471-6681-8Series ISSN 2195-9056 Series E-ISSN 2195-9064
issn_series 2195-9056
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag London L
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Interaction Aesthetics and Ubiquitous Musicus music. We discuss the theoretical and methodological issues raised by both perspectives and highlight the similarities and differences among the two approaches. Through the analysis of a series of experiments, a common theme emerges: relational properties may provide a useful target for creativit
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