Titlebook: Creativity at Work; A Festschrift in Hon Roni Reiter-Palmon,Colin M. Fisher,Jennifer S. Mue Book 2020 The Editor(s) (if applicable) and The

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Going Back to the Drawing Board Until the Foundation of Creative Work Is Sound,that moving toward a flow state in creative work creates disturbances in creators’ subjective experiences. These disturbances can help account for dynamism in the creative process and the role that failure plays in going “back to the drawing board.”

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Toward (Eventually) Expanding the Componential Model: Integrating Theory on the Bias Against Creatid co-author shaped the questions I asked early on in my career and encouraged me to persist even in the face of obstacles. My experience working with Teresa on the TEAM study provided me with a unique perspective with which to explore an unresolved puzzle, why people desire but reject creative ideas

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Local Safety Versus Global Risk: Models of the Creative Work Environment, pioneer in this work and developed a measure of climate for creativity. In this chapter, Mumford and Fichtel highlight the dimensions of creative climate, and applies those to the study of creativity in professionals. They then address the conflicting demands of risk and safety, both important attr

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Reflections on the Impact of Teresa Amabile on the Development of the Field of Group Creativity,s on creativity. The subsequent empirical and theoretical developments in that field are quite consistent with the componential model of creativity. This chapter highlights these connections and directions for future research.

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An Intellectual Journey: The Path from Creativity in Context to a Social Network Perspective of Crered by Teresa’s componential model. In early research?Jill and Christina examined Teresa’s idea that intrinsic motivation and resulting creativity might be undermined by evaluation—research?which began her focus on examining the “social side of creativity.” Today, inspired by Teresa’s work, Jill has

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Meaningful Work and Creativity: Mapping Out a Way Forward,ch infused the componential model with theory around meaningfulness. This chapter expands upon this insight to explore two new lines of inquiry: (1) uncovering conditions that motivate different orientations to be creative; and (2) understanding how creative persistence may unfold in the long term.

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,Polarities in Creativity: Revisiting Amabile’s Componential Model, makes to creative achievement. Second, Puccio revisits Amabile’s seminal work and integrate the notion of polarities with her componential model. Puccio focuses on four specific polarities that are critical for creativity, with two being specific to the work of Amabile. Task motivation is reexamine