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Titlebook: Creativity at Work; A Festschrift in Hon Roni Reiter-Palmon,Colin M. Fisher,Jennifer S. Mue Book 2020 The Editor(s) (if applicable) and The

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樓主: Stenosis
31#
發(fā)表于 2025-3-27 00:32:01 | 只看該作者
32#
發(fā)表于 2025-3-27 01:45:12 | 只看該作者
33#
發(fā)表于 2025-3-27 09:04:13 | 只看該作者
Filmkondensation ruhender D?mpfes on creativity. The subsequent empirical and theoretical developments in that field are quite consistent with the componential model of creativity. This chapter highlights these connections and directions for future research.
34#
發(fā)表于 2025-3-27 12:11:35 | 只看該作者
Filmkondensation ruhender D?mpfech infused the componential model with theory around meaningfulness. This chapter expands upon this insight to explore two new lines of inquiry: (1) uncovering conditions that motivate different orientations to be creative; and (2) understanding how creative persistence may unfold in the long term.
35#
發(fā)表于 2025-3-27 15:43:40 | 只看該作者
Filmkondensation ruhender D?mpfeearch. In her chapter she indicates that modifications were necessary due to the use of everyday problems and the lack of expert judges. She then provides information on the specific modifications such as the use of separate ratings for solution quality (usefulness) and originality (novelty) and rater training.
36#
發(fā)表于 2025-3-27 20:10:44 | 只看該作者
37#
發(fā)表于 2025-3-27 23:36:59 | 只看該作者
38#
發(fā)表于 2025-3-28 05:12:19 | 只看該作者
,Brilliant and Benevolent: The Optimism of Teresa Amabile’s Legacy for Creativity in Organizations,e perceived to be more intelligent than those who gave positive reviews. He proposes and provides initial evidence to support a fascinating idea: Rather than being critical, being optimistic and benevolent may actually contribute to more accurate evaluations of creative ideas.
39#
發(fā)表于 2025-3-28 07:16:45 | 只看該作者
40#
發(fā)表于 2025-3-28 14:16:44 | 只看該作者
,Memes, Meaning, and Creativity: A “Found” Interpretation of 5 Decades of Teresa Amabile’s Research,recognized as central to creativity, sometimes even seen as the very building blocks of creativity itself. This reflective chapter attempts to use insights about memes and the reproduction of memes using the research of Teresa Amabile both as a resource for understanding creativity and an object of creativity itself.
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