Titlebook: Creativity and Innovation in the Music Industry; Peter Tschmuck Book 2012Latest edition Springer-Verlag Berlin Heidelberg 2012 Creativity.

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,Gehirn — Intelligenz — Kommunikation, phonographs became the first prominent victim. On November 1, 1929, the company announced that it would stop the production of phonograms and phonographs. Since 1925, they had desperately tried to find a way back into the market, but Edison’s refusal to make electrical recordings prevented successf

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Klimabedingter Feuchteschutz im Hochbau increase of 6%, which was followed by a more significant increase of 15% in the following year. Sales remained more or less constant at this level for the next 2?years. In 1987, however, another jump in sales occurred (+20%). Subsequent years witnessed additional increases of 12% (1988), 3% (1989),

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Klimabedingter Feuchteschutz im Hochbauen music aesthetic, technological, legal, economic, and social processes of change. Up to this point, this book could also be read as presenting a history of the music industry in the twentieth century, even though I do not claim that my account has exhausted the topic. Table?11.1 provides an overvi

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Klimabedingter Feuchteschutz im Hochbauonographic industry’s most important processes of action that have been at its core since the Rock ’n‘?Roll revolution. My focus, here, will be the four central processes of the industry’s value-adding chain: (1) the process of talent-scouting by Artist & Repertoire (A & R)management; (2) the proces

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https://doi.org/10.1007/978-3-642-28430-4Creativity; Digital Revolution; Economy; Industry; Innovation; Music