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Titlebook: Creativity and Innovation in the Music Industry; Peter Tschmuck Book 2012Latest edition Springer-Verlag Berlin Heidelberg 2012 Creativity.

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發(fā)表于 2025-3-21 16:28:13 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Creativity and Innovation in the Music Industry
編輯Peter Tschmuck
視頻videohttp://file.papertrans.cn/240/239571/239571.mp4
概述Includes supplementary material:
圖書封面Titlebook: Creativity and Innovation in the Music Industry;  Peter Tschmuck Book 2012Latest edition Springer-Verlag Berlin Heidelberg 2012 Creativity.
描述Why did jazz become a dominant popular music genre in the 1920s and rock ‘n‘ roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music
出版日期Book 2012Latest edition
關鍵詞Creativity; Digital Revolution; Economy; Industry; Innovation; Music
版次2
doihttps://doi.org/10.1007/978-3-642-28430-4
isbn_softcover978-3-642-43161-6
isbn_ebook978-3-642-28430-4
copyrightSpringer-Verlag Berlin Heidelberg 2012
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:35:49 | 只看該作者
s and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music978-3-642-43161-6978-3-642-28430-4
板凳
發(fā)表于 2025-3-22 02:38:19 | 只看該作者
地板
發(fā)表于 2025-3-22 06:40:18 | 只看該作者
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發(fā)表于 2025-3-22 11:23:35 | 只看該作者
Klimabedingter Feuchteschutz im HochbauA full-fledged music industry boom characterized the immediate post-war years in the United States. From 1945 to 1946, record sales doubled from $109 to $218 million. In 1947, sales reached a new record high at $224 million. In 1948, however, sales declined by 15% to $189 million, and in 1949 by an additional 8% to $173 million.
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發(fā)表于 2025-3-22 13:40:03 | 只看該作者
Klimabedingter Feuchteschutz im HochbauBased on empirical evidence, the development of the music industry in the twentieth century is characterized by two large structural breaks. The first is that of the Jazz revolution in the 1920s, and the second one is the Rock ‘n’ Roll revolution in the early 1950s.
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發(fā)表于 2025-3-22 17:19:27 | 只看該作者
8#
發(fā)表于 2025-3-23 01:00:40 | 只看該作者
Creativity and Innovation in the Music Industry,Based on empirical evidence, the development of the music industry in the twentieth century is characterized by two large structural breaks. The first is that of the Jazz revolution in the 1920s, and the second one is the Rock ‘n’ Roll revolution in the early 1950s.
9#
發(fā)表于 2025-3-23 04:34:30 | 只看該作者
Kritische Anmerkungen zur Schulmedizin,ntention, however, is not to provide a manual for “creative” or “innovative” work. Rather, I will subject “creative” or “innovative” work to a precise analysis. Nevertheless, I hope the reader will not discard the book out of disappointment and instead accompanies me on a journey through the history
10#
發(fā)表于 2025-3-23 09:01:04 | 只看該作者
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