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Titlebook: Crafting in the World; Materiality in the M Clare Burke,Suzanne M. Spencer-Wood Book 2019 Springer International Publishing AG, part of Spr

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樓主: CK828
41#
發(fā)表于 2025-3-28 15:14:37 | 只看該作者
https://doi.org/10.1007/978-3-540-37639-2round it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.
42#
發(fā)表于 2025-3-28 20:18:47 | 只看該作者
43#
發(fā)表于 2025-3-28 23:57:47 | 只看該作者
44#
發(fā)表于 2025-3-29 06:13:49 | 只看該作者
https://doi.org/10.1007/978-3-540-37639-2 activity. Summarising the perspective of this book and the contributions within it, this chapter highlights the key aspects of crafting addressed by the case studies within this book and advocates for interdisciplinary discourse and interpretative models for investigating and understanding craft activity.
45#
發(fā)表于 2025-3-29 09:51:50 | 只看該作者
46#
發(fā)表于 2025-3-29 12:00:30 | 只看該作者
https://doi.org/10.1007/978-3-540-37639-2is enacted using the case studies of embroidery skills used for the renegotiation of gender. As such, the use of skills, their connotations and embodiment, will be the objects of our focus to argue that acts of transformation are a force by which this nostalgia can be negotiated in order to be moulded to fit with current needs and desires.
47#
發(fā)表于 2025-3-29 18:55:29 | 只看該作者
48#
發(fā)表于 2025-3-29 22:49:41 | 只看該作者
Crafts and Living History: Old Sturbridge Villagehe museum’s extensive collection of nineteenth-century New England material culture.?Like any living thing, OSV continues to change and evolve, but historic crafts have always been a core part of its identity and a major attraction for visitors.
49#
發(fā)表于 2025-3-30 03:46:41 | 只看該作者
50#
發(fā)表于 2025-3-30 06:25:29 | 只看該作者
Mapping Etsy: Reflections on (Spatial) Relations in an E-Commerce for Handmade Thingsround it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.
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