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Titlebook: Crafting in the World; Materiality in the M Clare Burke,Suzanne M. Spencer-Wood Book 2019 Springer International Publishing AG, part of Spr

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書目名稱Crafting in the World
副標題Materiality in the M
編輯Clare Burke,Suzanne M. Spencer-Wood
視頻videohttp://file.papertrans.cn/240/239270/239270.mp4
概述Increases the understanding of the multiple meanings of crafting experiences by interrelating theories about crafting and technology from several different disciplines.Theorizes a variety of new frame
圖書封面Titlebook: Crafting in the World; Materiality in the M Clare Burke,Suzanne M. Spencer-Wood Book 2019 Springer International Publishing AG, part of Spr
描述.This volume expands understandings of crafting practices, which in the past was the major relational interaction between the social agency of materials, technology, and people, in co-creating an emergent ever-changing world. The chapters discuss different ways that crafting in the present is useful in understanding crafting experiences and methods in the past, including experiments to reproduce ancient excavated objects, historical accounts of crafting methods and experiences, craft revivals, and teaching historical crafts at museums and schools.? .Crafting in the World. is unique in the diversity of its theoretical and multidisciplinary approaches to researching crafting, not just as a set of techniques for producing functional objects, but as social practices and technical choices embodying cultural ideas, knowledge, and multiple interwoven social networks. Crafting expresses and constitutes mental schemas, identities, ideologies, and cultures. The multiple meanings and significances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women’s studies, and ethnic studies. ..This book pr
出版日期Book 2019
關(guān)鍵詞Conceptualizations of crafting anthropological literature; hand manufacture and factory production; so
版次1
doihttps://doi.org/10.1007/978-3-319-65088-3
isbn_ebook978-3-319-65088-3
copyrightSpringer International Publishing AG, part of Springer Nature 2019
The information of publication is updating

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https://doi.org/10.1007/978-3-540-37639-2hem into cultural objects. This volume as a whole emphasises the phenomenological experience of crafting processes and their multiple fluid meanings in their?social contexts. Whilst crafting is a universal aspect of human existence, found across the globe and throughout most periods of history, the
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https://doi.org/10.1007/978-3-540-37639-2study is always based on the material culture of the past. It is understood that these objects have been created and crafted by people of the past, but the weight of this fact is not always recognized; the fact that no matter what phenomenon we might focus on, we are always studying the material exp
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https://doi.org/10.1007/978-3-540-37639-20?years of fieldwork in psychiatric occupational therapy with young men, (b) in several projects in vocational training and (c) from being born into a blacksmith’s family traditions and being an artisan myself. The model’s claim is that it has roots, and embeds us, in our humanization past. The pers
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https://doi.org/10.1007/978-3-540-37639-2a complex form (ation) of relations. By referring to digital data obtained from the website as well as one extensive interview with a novice in the business, the author gives insights into what it means in practical terms to be part of the so-called Etsy community and the discursive universe built a
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