Titlebook: Contemporary Indian Dance; New Creative Choreog Ketu H. Katrak Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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Beyond Tradition: Contemporary Choreography by Masters of Traditional Indian Dance and Emerging Innchoreography of Ahmedabad-based Mallika Sarabhai’s dance, and theatre work aiming for social change presented in urban Ahmedabad, and in rural areas addressing issues of gender health and equality. Bharatanatyam is also the foundation for the contemporary work of Delhi-based Navtej Singh Johar and M

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Dancing in the Diaspora Part II: Britain,ntegration, or marginalization of former ex-colonized peoples, including artists into Britain follows a different trajectory in the twentieth century. In British society, acutely class-conscious in the 1950s (somewhat different from the United States), working-class populations that entered the coun

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Introduction,icance of the Indian context, both philosophical and psychic in analyzing Indian dance. She investigates further “the concept of movement in space and time … an enquiry into the part played by the body and the sense in Indian speculative thought and how this gives rise to a cohesive and integrated v

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Abstract Dance with Rasa: Pioneers Astad Deboo and Shobana Jeyasingh,eers in following this style in their nearly four-decade long careers. Today, Deboo’s name is synonymous with Contemporary Indian Dance, “a dance theatre style of his own which successfully assimilates Indian and Western techniques.”. However, for a long time after the start of his career in 1960, A

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Hybrid Artists and Transnational Collaborations: Chennai, Toronto, Kuala Lumpur,) take transnational collaborations to a different level. They have co-choreographed dance works since the late 1990s, with Krishnan also using his directing talent in the overall staging, creating visual and aural affects in the presentation. While both trained in bharatanatyam which remains a deep

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