Titlebook: Contemporary European Science Fiction Cinemas; Aidan Power Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dystopia.Europe.

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書(shū)目名稱Contemporary European Science Fiction Cinemas影響因子(影響力)




書(shū)目名稱Contemporary European Science Fiction Cinemas影響因子(影響力)學(xué)科排名




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書(shū)目名稱Contemporary European Science Fiction Cinemas網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Contemporary European Science Fiction Cinemas被引頻次




書(shū)目名稱Contemporary European Science Fiction Cinemas被引頻次學(xué)科排名




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書(shū)目名稱Contemporary European Science Fiction Cinemas年度引用學(xué)科排名




書(shū)目名稱Contemporary European Science Fiction Cinemas讀者反饋




書(shū)目名稱Contemporary European Science Fiction Cinemas讀者反饋學(xué)科排名

configuration

Introduction: A Dream Called RomeEuropean sphere. Beginning with an exploration of the science fictional nature of European integration—a project with utopian ideals that emerged as a response to the dystopian horrors of the Second World War—the chapter then turns to European science fiction cinema itself, which, it argues, has und

COLIC

Shaping a European Narrative: Eurimages, SF, and the Auteurhas traditionally not been a major backer of sf, in recent years this has begun to change. As such, the chapter examines how European cinema operates on an industrial level through the seemingly unlikely prism of sf, taking in the work of two of European cinema’s foremost auteurs in Michael Haneke a

發(fā)現(xiàn)

SF in the EU’s Newest Member Statesed onscreen in Bulgaria, Croatia, Hungary, and Lithuania. Beginning with an industrial analysis of the American-owned Nu Boyana Film Studios in Sofia which has produced a host of sf b-movies, the focus then shifts to the Croatian micro-budget media satire . (Nevio Marasovi? 2010), a film in which EU

Tortuous

PATRI

PATRI

寡頭政治

BET

European SF and Hollywood no study of European sf cinema can hope to claim any sort of authority while ignoring the largest player in the European market. Blending industrial and filmic analysis, the chapter seeks to quantify the extent of Hollywood sf dominance within EU cinemas and to examine its potential repercussions.

指令

Conclusions and Roads Aheadal political landscape. Reflecting upon the changes that Europe has gone through since the turn of the millennium, the chapter makes the case for sf’s continued importance, arguing that however bleak or fantastical its narratives, it forces us to confront fundamental questions about the EU and the v