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Titlebook: Contemporary European Science Fiction Cinemas; Aidan Power Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dystopia.Europe.

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樓主
發(fā)表于 2025-3-21 19:25:33 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Contemporary European Science Fiction Cinemas
編輯Aidan Power
視頻videohttp://file.papertrans.cn/237/236471/236471.mp4
概述Constitutes the first book-length study on contemporary European science fiction cinema.Uses science fiction to engage with the economic and political crises in 21st century Europe.Analyses both the E
叢書名稱Palgrave European Film and Media Studies
圖書封面Titlebook: Contemporary European Science Fiction Cinemas;  Aidan Power Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dystopia.Europe.
描述.Contemporary European Science Fiction Cinemas .charts the evolution of European science fiction cinema in the 21st century, a period in which Europe itself has faced myriad crises. Key to this study is an exploration of how European science fiction responds to prevalent issues such as the financial crisis, political extremism and violence, large-scale migration and indeed the potential breakup of the European Union itself. What futures does science fiction cinema envision for Europe? Is it capable of moving beyond dystopian visions of a continent beset by seemingly omnipresent turbulence? Emphasising science fiction’s unique ability to estrange, exploit and reflect upon popular concerns, this book directly engages with such questions, accounting for ongoing mutations in the very nature of the European project as it does so..
出版日期Book 2018
關(guān)鍵詞Dystopia; Europe; crisis; film; science fiction; 21st century; extremism; EU; financial crisis; cinema; politi
版次1
doihttps://doi.org/10.1007/978-3-319-89827-8
isbn_softcover978-3-030-07869-0
isbn_ebook978-3-319-89827-8Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:52:38 | 只看該作者
Introduction: A Dream Called RomeEuropean sphere. Beginning with an exploration of the science fictional nature of European integration—a project with utopian ideals that emerged as a response to the dystopian horrors of the Second World War—the chapter then turns to European science fiction cinema itself, which, it argues, has und
板凳
發(fā)表于 2025-3-22 00:39:25 | 只看該作者
Shaping a European Narrative: Eurimages, SF, and the Auteurhas traditionally not been a major backer of sf, in recent years this has begun to change. As such, the chapter examines how European cinema operates on an industrial level through the seemingly unlikely prism of sf, taking in the work of two of European cinema’s foremost auteurs in Michael Haneke a
地板
發(fā)表于 2025-3-22 07:53:21 | 只看該作者
SF in the EU’s Newest Member Statesed onscreen in Bulgaria, Croatia, Hungary, and Lithuania. Beginning with an industrial analysis of the American-owned Nu Boyana Film Studios in Sofia which has produced a host of sf b-movies, the focus then shifts to the Croatian micro-budget media satire . (Nevio Marasovi? 2010), a film in which EU
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發(fā)表于 2025-3-22 11:12:54 | 只看該作者
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發(fā)表于 2025-3-22 13:26:18 | 只看該作者
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發(fā)表于 2025-3-22 19:51:58 | 只看該作者
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發(fā)表于 2025-3-22 23:50:53 | 只看該作者
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發(fā)表于 2025-3-23 01:22:28 | 只看該作者
European SF and Hollywood no study of European sf cinema can hope to claim any sort of authority while ignoring the largest player in the European market. Blending industrial and filmic analysis, the chapter seeks to quantify the extent of Hollywood sf dominance within EU cinemas and to examine its potential repercussions.
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發(fā)表于 2025-3-23 08:54:01 | 只看該作者
Conclusions and Roads Aheadal political landscape. Reflecting upon the changes that Europe has gone through since the turn of the millennium, the chapter makes the case for sf’s continued importance, arguing that however bleak or fantastical its narratives, it forces us to confront fundamental questions about the EU and the v
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