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Titlebook: Contemporary Asian Artistic Expressions and Tourism; Paolo Mura,Keith Kay Hin Tan,Chun Wei Choy Book 2020 Springer Nature Singapore Pte Lt

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31#
發(fā)表于 2025-3-27 00:39:30 | 只看該作者
Contemporary Malaysian Patisserie: Tales of Asian Creativity Confined by Western Traditionsscussion entitled “. This is then followed by the highlight of the chapter,?featuring three tales of creativity that narrates the creative philosophies and considerations during the Malaysian chefs’ creative process.
32#
發(fā)表于 2025-3-27 01:49:14 | 只看該作者
Multisensory restaurants, Art and Tourism – Case study on Ultraviolet by Paul Pairetn be considered not only as products for consumption, but also as artistic productions. As these immersive proposals favour the interaction and the stimulation of the guests’ minds, they are also ‘food for thought’ that convey an artistic thinking and message. The innovative restaurant in Shanghai a
33#
發(fā)表于 2025-3-27 08:30:25 | 只看該作者
34#
發(fā)表于 2025-3-27 09:42:19 | 只看該作者
35#
發(fā)表于 2025-3-27 16:34:04 | 只看該作者
https://doi.org/10.1007/978-3-663-05013-1 local identity is palpable in art content.?Nevertheless, and no differently, the personal voice of the artist does rise above expressions that include tagging, communicative graffiti, doodles, pop art, historio-cultural archiving, tracting, and “the self-portrait”, among others. The tourist?– the l
36#
發(fā)表于 2025-3-27 20:30:33 | 只看該作者
https://doi.org/10.1007/978-3-663-05014-8 reconstruction of meanings through the affordances of space and identity in contemporary Asian expressions of art. It contextualizes identity discourses and explores the connections between the re-imagination of a past, the remaking of memory and the deconstruction of national discourses. The resea
37#
發(fā)表于 2025-3-27 23:57:56 | 只看該作者
38#
發(fā)表于 2025-3-28 02:09:21 | 只看該作者
39#
發(fā)表于 2025-3-28 06:49:00 | 只看該作者
https://doi.org/10.1007/978-3-663-05017-9t elevates the traditional craft of batik above its increasing tourist-dependency whilst also reducing the perceived ‘western-centric’ nature of traditional stained glass, it points to new potential for craft techniques in contemporary Asia. It suggests that, rather than being the herald of ‘souveni
40#
發(fā)表于 2025-3-28 11:29:37 | 只看該作者
https://doi.org/10.1007/978-3-663-05017-9ose produced by punks have the potential to fulfil additional values. In an age where authenticity and claims of appropriation of culture are placed under scrutiny, a punk object holds the potential of being a meaningful and valuable souvenir.
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