Titlebook: Contemporary Asian Artistic Expressions and Tourism; Paolo Mura,Keith Kay Hin Tan,Chun Wei Choy Book 2020 Springer Nature Singapore Pte Lt

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書目名稱Contemporary Asian Artistic Expressions and Tourism影響因子(影響力)




書目名稱Contemporary Asian Artistic Expressions and Tourism影響因子(影響力)學(xué)科排名




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書目名稱Contemporary Asian Artistic Expressions and Tourism網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Contemporary Asian Artistic Expressions and Tourism被引頻次




書目名稱Contemporary Asian Artistic Expressions and Tourism被引頻次學(xué)科排名




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書目名稱Contemporary Asian Artistic Expressions and Tourism年度引用學(xué)科排名




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書目名稱Contemporary Asian Artistic Expressions and Tourism讀者反饋學(xué)科排名

小步走路

Prostaglandins

開玩笑

一再煩擾

Revisiting ‘Singapore’ on Tour at the Venice Biennale the fact that it was awarded ‘Special mention’, the celebration seemed to extend to discourses of ‘homecoming’ when ‘Singapore’ went . in Venice and eventually . to Singapore.?This coincided with the very contents of the reflexive art installation based on collections of various genre, exhibiting a

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Art Intervention in the Community Context: Community-Based Art Practice as an Inspiration for Creatiative tourism. To delve into what has driven the need and motivation for such a transformation experience, the author has employed the case study of Taiwan community-based art practice (CAP) as an analytical approach to conceptualize the idea of self-change within creative tourism. By anchoring the

nitric-oxide

命令變成大炮

Motorbike Helmet Art as a Contemporary Design Form for Crafting Tourism Souvenirs of Thailandt evaluates helmet art as a means of creating souvenirs for international tourists. Designing helmets for Thai destinations was launched in April 2018 as a pilot project between a leading Thai University and a domestic company of motor accessories. Twenty-five art graduate students designed their pr

叫喊

Merging Batik and Stained Glass: Creating Contemporary Asian Art from Traditional Craft Objectsmand for these same objects. This involves issues of perception, authenticity, the ‘exotic’ and commodification that have also acted to suppress the prices available to the producers of traditional craft, especially those made in the developing world. At the same time, the market for high-end art sh

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