Titlebook: Contemporary American Theatre; Bruce King (co-editor of the Modern Dramatists ser Book 1991 Palgrave Macmillan, a division of Macmillan Pu

紡織品

canvass

大罵

https://doi.org/10.1007/978-3-663-04423-9riting. Influenced by the non-textual theatrical creations of the last twenty-five years, their work displays an aversion to traditional dramatic form, particularly as it has congealed into the predominantly literary modes of American realism. Post-literary writing for the theatre employs a hybrid d

ethnology

https://doi.org/10.1007/978-1-349-21582-9America; history of literature; literature; theatre; theatre and performance studies; twentieth century

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終點(diǎn)

https://doi.org/10.1007/978-3-663-04423-9Peter Sellars is a pivotal figure in contemporary theatre. His work is both a product of twentieth-century avant-garde theatre and a departure from it, overleaping the high-tech obsessions of his immediate predecessors for a more classical vision of theatre.