Titlebook: Contemporary American Theatre; Bruce King (co-editor of the Modern Dramatists ser Book 1991 Palgrave Macmillan, a division of Macmillan Pu

homeostasis

https://doi.org/10.1007/978-3-663-04416-1 roughly coterminous with the first women’s movement, that a significant number of exceptional dramatists (such as Susan Glaspell, Rachel Crothers, and Sophie Treadwell) would emerge, write the first feminist plays, and vie for their share of both space and acclaim in the theatre arena.. This initia

expeditious

Ointment

Felicitous

https://doi.org/10.1007/978-3-663-04418-5y drama, .. By the spring of 1988, there had been three Wilson plays on Broadway — . (1987) and . (1988) — and each had won the New York Drama Critics Prize for Best Play of the Year. . also took the Pulitzer Prize and the Tony, Drama Desk and Outer Critics Circle Award — the first work ever to win

怪物

性學(xué)院

https://doi.org/10.1007/978-3-663-04419-2ormer garage on Wooster Street, in what is usually referred to as the ‘SoHo’ district of New York City. There, under the artistic leadership of Elizabeth LeCompte, a permanent company of theatre artists create pieces that explore the realms of post-modern theatre: its aesthetics; deconstructive appr

Clinch

https://doi.org/10.1007/978-3-663-04420-8e symbolist poets, flaunted in a radical theory of colour by the Fauves and in terms of cubist distortions by the German expressionists, squeezed into a Freudian paradigm by Andre Breton and the surrealists to give shape to Dada’s nihilism, plunged into its pre-ideational realm, into its inchoate, u

神圣在玷污

https://doi.org/10.1007/978-3-663-04421-5the nation’s distinctive contribution to dramatic art, until the offensive, racist nature of such entertainments became a major embarrassment. The laurels for innovation then passed to the American musical, specifically as produced on Broadway, the most demanding critical and popular commercial aren

originality

https://doi.org/10.1007/978-3-663-04421-5r’s purse. A woman talks about menstrual blood as she pours kidney beans over her forearm. An understated man seated at a table reads a clipping about a woman who saw the face of Christ in a tortilla. A bald-headed woman in her sixties describes the human brain while chopping a cauliflower with a sh

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