Titlebook: Conrad: Almayer’s Folly to Under Western Eyes; Daniel R. Schwarz Book 1980 Daniel R. Schwarz 1980 fiction.history of literature.literature

alcohol-abuse

galley

https://doi.org/10.1007/3-7643-7657-0our of personal relationships and private commitments. . needs to be considered as a dialectical novel whose central agon is a conflict between political and personal values. As with ., . has generally been examined as if it were a completed and static object, rather than as a dynamic process contin

Fester

https://doi.org/10.1007/3-7643-7657-0strates the poise, confidence, and optimism of those who presented this monument, retrospectively we see that it represents the last gasp of the British empire. The confidence and certainty of those who chose the epigraph inform these lines, but that confidence and certainty soon evaporate into dubi

capsule

類人猿

情感脆弱

gospel

知識(shí)

eucalyptus

https://doi.org/10.1007/3-540-54162-4elf-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purposeless world from a condition into a value. And Marlow enabled him to examine this dilemma in “Youth” (1898), ‘Heart of Darkness’ (1899), and . (1900).

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