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Titlebook: Conrad: Almayer’s Folly to Under Western Eyes; Daniel R. Schwarz Book 1980 Daniel R. Schwarz 1980 fiction.history of literature.literature

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發(fā)表于 2025-3-21 19:29:03 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Conrad: Almayer’s Folly to Under Western Eyes
編輯Daniel R. Schwarz
視頻videohttp://file.papertrans.cn/236/235663/235663.mp4
圖書封面Titlebook: Conrad: Almayer’s Folly to Under Western Eyes;  Daniel R. Schwarz Book 1980 Daniel R. Schwarz 1980 fiction.history of literature.literature
出版日期Book 1980
關(guān)鍵詞fiction; history of literature; literature; nineteenth century; twentieth century
版次1
doihttps://doi.org/10.1007/978-1-349-05189-2
isbn_softcover978-1-349-05191-5
isbn_ebook978-1-349-05189-2
copyrightDaniel R. Schwarz 1980
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:53:51 | 只看該作者
Unrestcus from the tale to the teller. Although he has already published . (1895) and . was already completed and to be published in 1896, Conrad is plagued by anxiety and self-doubt about his new career. In an 1896 letter to Garnett he agonises: ‘Everything seems so abominably stupid. You see the . is no
板凳
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地板
發(fā)表于 2025-3-22 07:15:15 | 只看該作者
Marlow’s role in ‘Youth’ and ‘Heart of Darkness’ and explores his intellectual and moral identity. Except for brief moments of despair, Conrad believed in the essential value of self-knowledge and self-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purpose
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發(fā)表于 2025-3-22 21:31:21 | 只看該作者
Language as value in nd, the written, linear language on the page (the means of mimesis), and on the other, the imaginary events and characters (the objects of mimesis) for which language is a catalyst. Criticism of . has rarely distinguished between the object of mimesis and the means of mimesis; between the ‘monstrous
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