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Titlebook: Computer Music Modeling and Retrieval; Third International Richard Kronland-Martinet,Thierry Voinier,S?lvi Ys Conference proceedings 2006

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樓主: Flange
11#
發(fā)表于 2025-3-23 10:35:04 | 只看該作者
12#
發(fā)表于 2025-3-23 17:28:29 | 只看該作者
About the Determination of Key of a Musical Excerpt,discussed and then attention is focused on a non-analytical solution first reported by J.A.Gabura. A practical way to carry it out is discussed as well as its limitations in relation to examples. References are made to the MusicXML format as needed.
13#
發(fā)表于 2025-3-23 18:11:10 | 只看該作者
Building Low-Cost Music Controllers, controllers into generic sensor interfaces, and making sensors from cheap conductive materials such as latex, ink, porous materials, and video tape. Our prototype controller, the ., is comparable to interfaces built with commercially available sensors and interfaces, but at a fraction of the price.
14#
發(fā)表于 2025-3-24 01:37:32 | 只看該作者
15#
發(fā)表于 2025-3-24 03:04:56 | 只看該作者
16#
發(fā)表于 2025-3-24 07:57:02 | 只看該作者
Biyun Huang,Khe Foon Hew,Peter Warningay, in particular within a note’s duration, was observed and then fixed while the natural temporal envelope was kept. The result seemed unnatural, indicating that the variation of timbre is important for the naturalness.
17#
發(fā)表于 2025-3-24 12:55:12 | 只看該作者
Timbre Variations as an Attribute of Naturalness in Clarinet Play,ay, in particular within a note’s duration, was observed and then fixed while the natural temporal envelope was kept. The result seemed unnatural, indicating that the variation of timbre is important for the naturalness.
18#
發(fā)表于 2025-3-24 16:50:08 | 只看該作者
Haibin Liu,Guohua Liu,Ying Wang,Dingjia Liu reproduce the main perceptive effects, both from the listener point of view, which is a frequency glissando, loudness and brightness variations, and from the player point of view, which is a reduced ease of playing during the transition.
19#
發(fā)表于 2025-3-24 20:22:35 | 只看該作者
20#
發(fā)表于 2025-3-25 00:14:25 | 只看該作者
Food from supplement-fed animals,ng decision trees and a set of rules which will be useful for predicting the emotional engagement (EM) experienced by potential listeners in similar pieces. The model is tested on two different movements of the Solos showing very promising results.
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