Titlebook: Computer Music Modeling and Retrieval; Third International Richard Kronland-Martinet,Thierry Voinier,S?lvi Ys Conference proceedings 2006

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書目名稱Computer Music Modeling and Retrieval影響因子(影響力)




書目名稱Computer Music Modeling and Retrieval影響因子(影響力)學(xué)科排名




書目名稱Computer Music Modeling and Retrieval網(wǎng)絡(luò)公開度




書目名稱Computer Music Modeling and Retrieval網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Computer Music Modeling and Retrieval被引頻次




書目名稱Computer Music Modeling and Retrieval被引頻次學(xué)科排名




書目名稱Computer Music Modeling and Retrieval年度引用




書目名稱Computer Music Modeling and Retrieval年度引用學(xué)科排名




書目名稱Computer Music Modeling and Retrieval讀者反饋




書目名稱Computer Music Modeling and Retrieval讀者反饋學(xué)科排名

粗魯?shù)娜?/a>

libertine

,A Possible Model for Predicting Listeners’ Emotional Engagement,ng decision trees and a set of rules which will be useful for predicting the emotional engagement (EM) experienced by potential listeners in similar pieces. The model is tested on two different movements of the Solos showing very promising results.

改進(jìn)

An Interactive Musical Exhibit Based on Infrared Sensors, more in general, non-expert people. Our effort has been focused to carefully design the hardware/software project, in a way that the final user will interact only with non-critical parts of the system.

AFFIX

Metris: A Game Environment for Music Performance,esign control a musical environment based on just intonation tuning. This presents a scenario where the game design is enhanced by a user’s sense of sound and music. Conventional art music is subverted by responses to simple design elements in a popular game.

混沌

Evaluation of Sensors as Input Devices for Computer Music Interfaces,perceived suitability of these sensors is also examined. Results are given, along with a discussion of their possible implications for computer music interface design and pointers for further work on this topic.

混沌

Improving Prototypical Artist Detection by Penalizing Exorbitant Popularity,t names, e.g. bands whose name equal common speech words (like “Kiss” or “Bush”), we introduce a penalization function. Our approach is demonstrated on a data set containing 224 artists from 14 genres.

巡回

Fibrinogen

外向者