Titlebook: Computer Animation; Theory and Practice Nadia Magnenat Thalmann,Daniel Thalmann Book 1990Latest edition Springer-Verlag Tokoyo 1990 Animati

Gratification

書(shū)目名稱(chēng)Computer Animation影響因子(影響力)




書(shū)目名稱(chēng)Computer Animation影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Computer Animation網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Computer Animation網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Computer Animation被引頻次




書(shū)目名稱(chēng)Computer Animation被引頻次學(xué)科排名




書(shū)目名稱(chēng)Computer Animation年度引用




書(shū)目名稱(chēng)Computer Animation年度引用學(xué)科排名




書(shū)目名稱(chēng)Computer Animation讀者反饋




書(shū)目名稱(chēng)Computer Animation讀者反饋學(xué)科排名

薄膜

Object Modeling in 3D Animation, becomes more than a support, playing a basic role in the creation of a three-dimensional world. Man, in fact, has always found it difficult to represent three-dimensional space in drawings; few people can draw in true perspective. Furthermore, it is simply impossible to produce all the tens of thou

peritonitis

調(diào)色板

Transparency, Texture, Shadows, and Anti-aliasing,om a light source along their paths until they reach the observer. However, this is a wasteful approach, because only a few rays coming from a given source actually arrive at the observer. This is why algorithms involving ray tracing carried out the process in the opposite direction. Rays are traced

消毒

Automatic Motion Control,cs techniques [Badler 1986, 1989; Boisvert et al. 1989; Calvert 1988; Magnenat-Thalmann and Thalmann 1987a, 1989c—e; Thalmann 1989; Wilhelms 1987a]. In particular, motion will be planned at a task level and computed using physical laws. In the next sections, five steps to automatic motion control ar

occult

Case Studies of Computer-generated Films,a great success: it won the first prize at the Computer Graphics ’82 Film Festival in London, and several other awards including Murcia Festival, Columbus Festival, and Yorkton festival. . was also selected in traditional animation festivals like “Journées d’Animation d’Annecy”, “Festival des Films

occult

Laconic

engagement

Implementation techniques for TEMPO,mputer-generated image, lines which could not really be seen by an observer first must be removed. This process has been a common research theme since the first three-dimensional systems; numerous algorithms have been proposed to solve the problem [Sutherland et al. 1974].

NATAL

Parameter passing and reference variables,om a light source along their paths until they reach the observer. However, this is a wasteful approach, because only a few rays coming from a given source actually arrive at the observer. This is why algorithms involving ray tracing carried out the process in the opposite direction. Rays are traced