Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec

扔掉掐死你

Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fiction an expansion of the notion of the engineer in literature. The chapter argues that in addition to being responsible for constructing tents and props, circus and engineering also participate in building worlds of meaning and cultural ideas of our technological future.

Arthropathy

2947-5848 d popular culture? .Circus, Science and Technology. examines the ways circus can provide a versatile frame for interpreting our relationship with technology..978-3-030-43300-0978-3-030-43298-0Series ISSN 2947-5848 Series E-ISSN 2947-5856

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https://doi.org/10.1007/978-3-658-15294-9e material, practical nature of popular entertainments, and to their imaginaries in other media. (Studying) circus contributes to a better understanding of the globalised modern culture of technological wonder, and how it is formative for the present and the future.

最初

laceration

Glossy

https://doi.org/10.1007/978-3-322-86636-3 well before entertainment could be broadcast electronically, the peripatetic circus offered an economic solution to the delivery and distribution of entertainment. This chapter therefore argues that circus is not only a . but a medium for experiment and innovation, a ‘laboratory’ by which legitimac

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長(zhǎng)矛

https://doi.org/10.1007/978-3-658-42478-7mechanical glass slides. This chapter presents a curated selection of these slides drawn from private and public collections. The portfolio of images and sequences in the chapter will be contextualised by a discussion of the evolution of lantern and circus traditions in nineteenth-century colonial A

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Jens Pohlmann,Adrien Barbaresi,Peter Leinen early animation technologies and circus, including animated representations of circus. The chapter also draws attention to the new connections between animation and circus, invoking animation as a means to enact wonder—a ‘sleight-of-hand’ that foregrounds its constructed nature, producing an encoun