Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec

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Inertia

Engineers of Curiosity: The Barnum Erases on how he set out to transform a museum collection of ‘stuffed money and gander skins’ through an exercise in reanimation that introduced elements of Frankenstein’s forbidden adventurism while appealing to the family values of a growing bourgeois clientele. Pride of place amongst his Gallery of

情愛(ài)

commensurate

Circus as Laboratory: Imagineering Legitimacynhanced and defended to ensure survival and success. Circus emerged as a viable form of entertainment in London on the eve of the Industrial Revolution. Ever since, circus entrepreneurs have faced the challenge of securing ‘legitimacy’ in the face of variable, inconsistent and often adversarial, soc

MERIT

盲信者

盲信者

The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slidesd eighteenth centuries as showmen and performers tramped across Europe. In the nineteenth century, while the itinerant tradition continued, the magic lantern and the circus became a part of urban theatrical culture as entrepreneurs developed elaborate phantasmagoria exhibitions and circuses incorpor

Exonerate

The Circus and Technologies of Animation the tensions between truth and deception, as these circus entertainments produce spectacles of wonder. Technologies of cinematic animation have also long produced such encounters between the real and the imagined while acknowledging the constructed nature of the medium. Although early cinema’s conn

似少年

Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fictions in a range of illusive experiences. But how does technology affect the performing body in literary and filmic circus fantasies? Does it bypass or transcend human physical skill? This chapter explores cultural imaginaries of the (re)creation of circus performers through technology; scenarios in whi

珠寶

Book 2020by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped