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Titlebook: Cinematic Perspectives on Digital Culture; Consorting with the Norman Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publish

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31#
發(fā)表于 2025-3-26 22:25:29 | 只看該作者
Stars and Avatarstinuous exchange of forms’.. The foundation that reconfigured the moving image as cinema and allowed a new industry to flourish was the exchange of forms that calibrated subjectivity, as Norma tells the gatekeeper at Paramount Studios (above).
32#
發(fā)表于 2025-3-27 02:51:26 | 只看該作者
Film and Hybridityesentation in films (., 1992; ., 2001) and television texts might suggest that a ‘distinguishing birth’ was taking place. Gaudreault and Marion’s model of a ‘double birth’ for cinema (Figure 6.1) details how a new technology, emerging to complement existing practice, departs from a subordinate role
33#
發(fā)表于 2025-3-27 09:06:48 | 只看該作者
Celebrating Metamorphosisy historians, who point to examples of vibrant celebrity cultures in eighteenth-century London and nineteenth-century France.. Oscar Wilde’s . (1890) is a seminal text of celebrity, an obsession with youth and ageing for a culture now capable of digital manipulation: ‘Celebrity Dorian Grays’ (as one
34#
發(fā)表于 2025-3-27 11:20:38 | 只看該作者
Mohamed Ben Omar Ndiaye,Robert Dauda Korsue. ., 1984) gave way to reassuring myths of mechanical saviours, programmed to privilege human agency (i.e. ., 1991). Such texts point to a perennial feature of technological change, in which producer–consumer relations become embedded in the assemblage.
35#
發(fā)表于 2025-3-27 13:56:56 | 只看該作者
Regional Economic Integration in West Africatinuous exchange of forms’.. The foundation that reconfigured the moving image as cinema and allowed a new industry to flourish was the exchange of forms that calibrated subjectivity, as Norma tells the gatekeeper at Paramount Studios (above).
36#
發(fā)表于 2025-3-27 21:28:32 | 只看該作者
Alternative Model Specificationsesentation in films (., 1992; ., 2001) and television texts might suggest that a ‘distinguishing birth’ was taking place. Gaudreault and Marion’s model of a ‘double birth’ for cinema (Figure 6.1) details how a new technology, emerging to complement existing practice, departs from a subordinate role
37#
發(fā)表于 2025-3-28 00:46:40 | 只看該作者
38#
發(fā)表于 2025-3-28 02:16:51 | 只看該作者
39#
發(fā)表于 2025-3-28 09:11:04 | 只看該作者
Amanda Spink,Charles Coleive consent of potential donor children serve as an orientation and an ethically reliable justification for the decision taken by the parents, as proxies, to allow a young child to become a donor? The chapter advocates the perspective of an ethics of care.
40#
發(fā)表于 2025-3-28 13:52:30 | 只看該作者
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