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Titlebook: Cinematic Perspectives on Digital Culture; Consorting with the Norman Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publish

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書目名稱Cinematic Perspectives on Digital Culture
副標(biāo)題Consorting with the
編輯Norman Taylor
視頻videohttp://file.papertrans.cn/227/226550/226550.mp4
圖書封面Titlebook: Cinematic Perspectives on Digital Culture; Consorting with the  Norman Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publish
描述Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
出版日期Book 2012
關(guān)鍵詞cinema; film; Hollywood
版次1
doihttps://doi.org/10.1057/9781137284624
isbn_softcover978-1-349-33518-3
isbn_ebook978-1-137-28462-4
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2012
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Stars and Avatarsond (., 1950).Early in . recognition (‘You’re Norma Desmond!’) gives way to affect (‘You used to be big.’). This subjective expression of affect in terms of size is then overturned in a denial of technological determinacy that attempts to restore human agency (‘I . big; it’s the . that got small!’).
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https://doi.org/10.1007/978-3-319-14322-4 driving the technical and stylistic development of new media’.. Other theorists agree that a productive conceptual horizon is to be found in film, although few explore the principles involved the way Jay David Bolter and Richard Grusin do in remediation.
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Harry W. Richardson,Peter Gordon,Qisheng Pan of media at the close of the twentieth century briefly made issues that had previously been only theoretical a concrete reality. Widespread awareness of mobile communications was ensured by adverts for cheaper calls, a flurry of company take-overs, wireless connectivity in public spaces and the viability of hand-held computing.
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