Titlebook: Chinese Porcelain in Colonial Mexico; The Material Worlds Meha Priyadarshini Book 2018 The Editor(s) (if applicable) and The Author(s), un

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Chinese Porcelain in Colonial Mexico978-3-319-66547-4Series ISSN 2947-924X Series E-ISSN 2947-9258

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Introduction: A Global Commodity in the Transpacific Trade,meters of the book. The importance of Chinese porcelain in this period is also established and its status as the world’s first global brand is justified. The chapter then moves on to an explanation of the methodology of the book, tracing the trajectory of one commodity through the trade network. Emp

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,A Parián in the Plaza Mayor: Making Space for Asia in Colonial Mexico,ish Crown, and the society was a mixture of indigenous, African, and European cultures. In such a cultural context, the appropriation of Asian objects took on different forms from those seen in other parts of the world, especially Europe..To understand the specifics of this appropriation, we follow

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Blue-and-white ,: Crafting a Local Aesthetic in a Colonial Context,which was initially established as a religious and cultural center for the colony. Puebla was built in a previously unsettled area so that it could be a purely Spanish city, free of influences from the native populations. However, this goal was not realized, and the ceramics produced in the city wer

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,A Parián in the Plaza Mayor: Making Space for Asia in Colonial Mexico,e Plaza Mayor that the trade with Asia was important to the colonial society as a whole, and when we move into smaller spaces, we see how specific objects had an impact on daily life..Although Mexico was a colony, it did not always take cues from the metropole. In the case of consuming Asian goods,