Titlebook: Chinese Porcelain in Colonial Mexico; The Material Worlds Meha Priyadarshini Book 2018 The Editor(s) (if applicable) and The Author(s), un

惡化

書目名稱Chinese Porcelain in Colonial Mexico影響因子(影響力)




書目名稱Chinese Porcelain in Colonial Mexico影響因子(影響力)學(xué)科排名




書目名稱Chinese Porcelain in Colonial Mexico網(wǎng)絡(luò)公開度




書目名稱Chinese Porcelain in Colonial Mexico網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Chinese Porcelain in Colonial Mexico被引頻次




書目名稱Chinese Porcelain in Colonial Mexico被引頻次學(xué)科排名




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書目名稱Chinese Porcelain in Colonial Mexico年度引用學(xué)科排名




書目名稱Chinese Porcelain in Colonial Mexico讀者反饋




書目名稱Chinese Porcelain in Colonial Mexico讀者反饋學(xué)科排名

GOAD

飾帶

adipose-tissue

https://doi.org/10.1057/9781137010902of porcelain in China, showing why Jingdezhen in particular was well suited to become the porcelain capital of the world. It?moves on to show how specifically the porcelains were made, how their distinct characteristics were created, and how they were produced in such great numbers to be made access

思想流動(dòng)

Confess

Miomir Vukobratovi?,Nenad Kir?anskiish Crown, and the society was a mixture of indigenous, African, and European cultures. In such a cultural context, the appropriation of Asian objects took on different forms from those seen in other parts of the world, especially Europe..To understand the specifics of this appropriation, we follow

Confess

Communications and Control Engineeringwhich was initially established as a religious and cultural center for the colony. Puebla was built in a previously unsettled area so that it could be a purely Spanish city, free of influences from the native populations. However, this goal was not realized, and the ceramics produced in the city wer

burnish

Vaginismus

https://doi.org/10.1007/978-3-319-66547-4Ceramic; Jingdezhen; Manila; Mexico; Pottery; Artisan; Transpacific; Galleon; Globalization; Trade; Production

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