Titlebook: Campus Cinephilia in Neoliberal South Korea; A Different Kind of Josie Jung Yeon Sohn Book 2022 The Editor(s) (if applicable) and The Auth

創(chuàng)作

不易燃

Book 2022lore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job

裙帶關系

A History of Youth Culture: Politics and Generations in Transition,of neoliberal demands on youth—newly named the ‘88-. generation’—in the 2000s. These historical periods are not self-contained and are relevant to the history of university film club culture discussed in Chapter ..

tenosynovitis

A History of Cinepol: Film Cultures in Transition,level; and there was in the 2000s an observable disconnect between the highly protectionist rhetoric concerning the newly profitable national cinema and cinephile culture that benefited from the niche but well-established cosmopolitan film culture (see Chapter .) as well as the increasingly accessible global media (see Chapter .).

gangrene

Generic-Drug

遷移

善變

Conclusion,mption intersect. These students study extremely hard and play as hard, which embodies a neoliberal spirit .. This book submits that this ironically vibrant subculture of college student cinephiles makes South Korean film culture more complex and interesting than a simple nationalistic affair.

alabaster

Campus Cinephilia in Neoliberal South Korea978-3-030-95143-6Series ISSN 2634-5935 Series E-ISSN 2634-5943

凌辱

Josie Jung Yeon SohnDraws on conversations and interviews with university film club members.Explores South Korean cinephilia through an examination of the film consumption practices of young people.Canvasses student enth