Titlebook: Campus Cinephilia in Neoliberal South Korea; A Different Kind of Josie Jung Yeon Sohn Book 2022 The Editor(s) (if applicable) and The Auth

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A History of Cinepol: Film Cultures in Transition,res. The 1980s was when the first university film clubs were established and fought for democracy against the military dictatorship; the 1990s was a crucial transitional period that saw the reconciliation of political differences in film culture and the emergence of critical cinephilia on a popular

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,The Bordwell Regime: ‘A Different Kind of Fun’,ilm was largely inherited from the 1990s, with the members referring to the same classical American textbook, . by David Bordwell and Kristin Thompson, used by their predecessors. Of interest in this chapter is how Cinepol used . to develop a style of analysis and discourse that then became a hallma

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The Godard Regimen: Film Diet and Affective Cinephilia, art films, a practice that was substantially shaped by older generations of cinephiles, such as those who established and patronised film institutions like Seoul Art Cinema. Using the conceptual frameworks of the cultural omnivore thesis and affect theory, this chapter explores the consensus among

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Conclusion,n nationalism, neoliberalism and cinephilia in South Korea. The bookish subculture of cinephiles I discuss in this volume may not at first seem exemplary of the neoliberal turn in South Korean society, but they are part of a milieu in which neoliberal governance, globalisation and cosmopolitan consu

Inculcate

2634-5935 stry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation’s film culture more complex and interesting than a simple nationalistic affair..978-3-030-95145-0978-3-030-95143-6Series ISSN 2634-5935 Series E-ISSN 2634-5943

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