Titlebook: British Women Film Directors in the New Millennium; Stella Hockenhull Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Briti

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有權(quán)威

手榴彈

ABASH

Women and British Cinema Funding: From the UKFC to Creative England, terms ‘bespoke support’ for filmmakers. Activities to be transferred from the UKFC included film development and production finance; film distribution and exhibition activity; film skills training and education funding. In 2015 the BFI opened a Diversity Fund with a Three Ticks Scheme for all BFI lottery funded projects.

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Book 2017stry rose substantially. Despite the fact that nationally and internationally women film directors are underrepresented within the industry, there is a wealth of talent currently working in Britain. During the early part of the 2000s, the UKFC instigated policies and strategies for gender equality a

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Introduction,ectors are identified along with an analysis of their productions through various dimensions, taking into account funding strategies, production, distribution and exhibition methods, as well as aesthetics and genre.

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