Titlebook: British Women Film Directors in the New Millennium; Stella Hockenhull Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Briti

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The Editor(s) (if applicable) and The Author(s) 2017

GRUEL

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木質(zhì)

https://doi.org/10.1007/978-3-8349-9298-7men demonstrate skill by taking on large-scale topics, from environmental activism, to documenting societal and cultural change, to controversial takes on inner-city life, and they explore them through intimate, relatable narratives. Furthermore, they reinforce their allegiance to their beliefs by f

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Kinetic

https://doi.org/10.1007/978-3-8349-9298-7erimental filmmaking encourages a relationship with cinema which is active rather than passive. As part of the process of self-inscription, the filmmakers offer a personal aspect to their films, appearing as actor or voice-over, or working with autobiographical content. Sometimes they traverse borde

鍵琴

https://doi.org/10.1007/978-3-8349-9298-7unding strategies, production, distribution and exhibition methods, as well as aesthetics and genre. Innovative methods for fundraising, and women’s flair for unusual stories told using a rich visual vocabulary has important resonances for future female filmmakers. What is apparent is that most wome

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