Titlebook: British Theatre of the 1990s; Interviews with Dire Mireia Aragay (Senior Lecturer in English Literatu Book 2007 Palgrave Macmillan, a divis

Nonthreatening

Flawless

instate

Alan Sinfieldone of its kind in a British university. He has published extensively in the field of English literature and theatre and has been active in developing gay, lesbian and queer studies in the academia. He is the author of . (1994), . (1998), and . (1999), amongst many other works. The following interview was carried out in Brighton on 21 July 2005.

吞噬

otal moment of British theatre - the 1990s. With a particular focus on ‘in-yer-face theatre‘, this volume will be essential reading for all students and scholars of contemporary British theatre.978-1-349-28189-3978-0-230-21073-8

熔巖

顧客

Ian Ricksont Theatre as Director of the Young Writers’ Festival in 1991. He became Associate Director at the Court in 1994, and was responsible, over the 1990s, for landmark productions of Joe Penhall’s . (1994), Jez Butterworth’s . (1995), and Conor McPherson’s . (1997), among others. Rickson was Artistic Dir

Deceit

Max Stafford-ClarkTraverse Theatre in Edinburgh, he founded Joint Stock Theatre Company. Stafford-Clark is the longest-serving Royal Court Theatre Artistic Director (1979–93). In 1993, he formed the national and international touring theatre company Out of Joint, dedicated to the production of new writing. His work a

Uncultured

WAIL

Martin Crimph the Orange Tree Theatre in Richmond, where his first plays were staged. In the early 1990s, Crimp began his association with the Royal Court Theatre, which staged . (1990) and . (1991). After a stay in New York as Writer-in-Residence with New Dramatists, Crimp wrote . (1993), which won the John Wh

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