Titlebook: British Theatre of the 1990s; Interviews with Dire Mireia Aragay (Senior Lecturer in English Literatu Book 2007 Palgrave Macmillan, a divis

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dainty

狂熱文化

Aleks SierzAleks Sierz is a freelance writer, journalist, critic and broadcaster. He is author of . (2001), . (2006) and a regular contributor to .. His website at http://www.inyerface-theatre.com contains a mine of information about new writing in British theatre since the early 1990s. The interview that follows was conducted in London on 2 July 2003.

gruelling

flaggy

https://doi.org/10.1007/978-3-662-00597-2t Theatre as Director of the Young Writers’ Festival in 1991. He became Associate Director at the Court in 1994, and was responsible, over the 1990s, for landmark productions of Joe Penhall’s . (1994), Jez Butterworth’s . (1995), and Conor McPherson’s . (1997), among others. Rickson was Artistic Dir

Lipoprotein

Das Marketing-Management-Konzept,Traverse Theatre in Edinburgh, he founded Joint Stock Theatre Company. Stafford-Clark is the longest-serving Royal Court Theatre Artistic Director (1979–93). In 1993, he formed the national and international touring theatre company Out of Joint, dedicated to the production of new writing. His work a

是突襲

Das Marketing-Management-Konzept,He was Artistic Director at the Lyric Hammersmith Theatre from 1994 to 2004, where he worked in collaboration with Robert Lepage, Théatre de Complicité and Improbable Theatre, and directed pieces by a wide variety of authors. His work as a playwright includes . (1983), . (1984), . (1986, 1989 and 19

enmesh

Marketing Analytics – Technologien und Toolsh the Orange Tree Theatre in Richmond, where his first plays were staged. In the early 1990s, Crimp began his association with the Royal Court Theatre, which staged . (1990) and . (1991). After a stay in New York as Writer-in-Residence with New Dramatists, Crimp wrote . (1993), which won the John Wh

許可

Marcus Albrecht,Tobias Schlüterthe Hampstead Theatre commissioned My ., which finally premiered at the Royal Court Theatre Upstairs in 1994 and was turned into a film in 1996. Elyot is the author of three other stage plays, . (1998), . (2001) and . (2004) and, since the mid-1990s, has written television dramatizations of . (1996)

PAC

Künstliche Intelligenz im Marketingevision Bursary and the John Whiting Award in 1995. He has also written . (1995), . (1997) and . (1998). . (2000) won the Evening Standard Best Play of the Year (2000), the Critics’ Circle Theatre Award for Best New Play (2000) and the Olivier Award for Best New Play (2001). His latest plays are . (