Titlebook: British Experimental Women’s Fiction, 1945—1975; Slipping Through the Andrew Radford,Hannah Van Hove Book 2021 The Editor(s) (if applicable

DAMP

General Definitions and Notation,t cultural networks in postwar Britain: on the one hand the members of the Austrian–German diaspora that emerged in the wake of fascism, and on the other hand the group of late modernist writers exemplified by figures such as B. S. Johnson and Ann Quin. Both Figes’s . (1969), and Tucker’s . (1966) r

Keshan-disease

,R?ntgenanatomie in der Elektrophysiologie,?numerous journalists and scholars have interpreted her writing as having very few obvious literary ancestors or successors, Radford proposes that Compton-Burnett provides a radical reimagining of the “country-house novel”, synonymous with male authors like Henry James, E. M. Forster, Ford Madox For

杠桿

Groundless Fictions: Writing Irish Spaceice age resulting from human action. Taking this as impetus and drawing from archival evidence of Kavan’s political and ethical outlook in the immediate postwar period, this chapter reads the novel alongside recent political and geological challenges to the concept of the Anthropocene. By considerin

一致性

Introduction: The Cartographic Transaction. (1958), and the violent backlash she encountered as a result of it. In this chapter, the experimental qualities of the collection are explored including the key themes of celebrity, subject formation and urban alienation. Her use of deficient speech as a technique is analysed as well as her innova

禁止,切斷

明確

Analogy

intoxicate

Buttress

cumulative