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Titlebook: British Experimental Women’s Fiction, 1945—1975; Slipping Through the Andrew Radford,Hannah Van Hove Book 2021 The Editor(s) (if applicable

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發(fā)表于 2025-3-21 18:14:22 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)British Experimental Women’s Fiction, 1945—1975
期刊簡(jiǎn)稱(chēng)Slipping Through the
影響因子2023Andrew Radford,Hannah Van Hove
視頻videohttp://file.papertrans.cn/192/191041/191041.mp4
發(fā)行地址Refines a new research archive on mid-century British fiction by female novelists.Reassesses the relation of the authors to each other, to European vanguard movements, and to their myriad socio-econom
圖書(shū)封面Titlebook: British Experimental Women’s Fiction, 1945—1975; Slipping Through the Andrew Radford,Hannah Van Hove Book 2021 The Editor(s) (if applicable
影響因子This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelistsat least as diverse as recent and longer established work in the domain of modernist studies.
Pindex Book 2021
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Astrophysics and Space Science Library marked resurgence of interest. Looking back from the twenty-first century, Sweeney asks what reasons we can pinpoint for the historical neglect of the authors discussed in this volume and what key factors are at play in “rediscovering” them in the present moment.
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Theoretical Frameworks and Beginnings,dscape, evaluating their body of work in historical, conceptual and critical terms. In doing so, it hopes to offer a new and vibrant take on twentieth-century literary history, refusing the familiar trajectory of aesthetic modernism, late-modernism, social realism (anti-modernism), postmodernism, th
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