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Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin; Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author

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發(fā)表于 2025-3-23 11:55:24 | 只看該作者
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Topics in Language and Linguisticseminist, lesbian pornographic film disrupts heteronormative optics to present a utopian, queer vision of corporeal independence and pleasure. Re-visioning lesbian feminist spectatorship, . narrates from the margins of the margin by including not only lesbian characters but also diverse body types, d
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發(fā)表于 2025-3-24 01:28:00 | 只看該作者
Reflective Practice in the Arts(Dir. Julia Solomonoff, 2009), and . (Dir. Patricia Ortega, 2018). The first three films use narratives of childhood to destabilize sex and gender binaries. . constructs liminal spaces in which gender and sexual dichotomies are loosened and new paradigms emerge. . reveals the harmful effects of stri
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發(fā)表于 2025-3-24 10:19:09 | 只看該作者
Reflective Practice in the Artsroles. The Chilean film . (Dir. Sebastián Lelio, 2017) and the Brazilian documentary . (Dir. Claudia Priscilla and Kiko Goifman, 2018) use embodiment of the subject for progressive sociopolitical advocacy along lines of sex, gender, race, and ethnicity. Starring trans actress Daniela Vega, . pushes
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發(fā)表于 2025-3-24 14:20:44 | 只看該作者
2662-9364 he establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..978-3-030-84560-5978-3-030-84558-2Series ISSN 2662-9364 Series E-ISSN 2662-9372
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發(fā)表于 2025-3-24 16:54:22 | 只看該作者
Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin
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