Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin; Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author

使委屈

書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin影響因子(影響力)




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin影響因子(影響力)學(xué)科排名




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin網(wǎng)絡(luò)公開度




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin被引頻次




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin被引頻次學(xué)科排名




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin年度引用




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin年度引用學(xué)科排名




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin讀者反饋




書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin讀者反饋學(xué)科排名

決定性

2662-9364 n American cinema since 2001.Examines shared strategies of r.Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and

聽寫

Topics in Language and Linguisticsication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.

PRISE

,The Lesbian Utopia of Albertina Carri’s , (2018),ication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.

樹木心

Book 20226), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..

defendant

報(bào)復(fù)

978-3-030-84560-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

聚集

要控制

敬禮