Titlebook: Body Narratives; Writing the Nation a Susanne Scholz Book 2000 Susanne Scholz 2000 culture.England.gender.identity.national identity

Immunotherapy

熱情的我

https://doi.org/10.1057/9780230287686culture; England; gender; identity; national identity

要塞

https://doi.org/10.1007/978-3-662-08393-2ween disembodied and microcosmic versions of the self was not conceived as contradictory at the time, and the more or less unproblematic coexistence in early modern England of different ways of conceptualizing the body is aptly illustrated by the fact that both the above quotations derive from one and the same poet.

Decrepit

虛弱的神經(jīng)

FACET

極小

https://doi.org/10.1007/3-540-68305-4 goddesses. Many of the classical figures employed to depict Elizabeth are distinctly bodiless, two well-known examples being the chaste moon goddess Cynthia, and the goddess of justice, Astraea. Both are virginal figures with decidedly imperialist implications.

膝蓋

Internal Imperialism: Domestic Loyalties goddesses. Many of the classical figures employed to depict Elizabeth are distinctly bodiless, two well-known examples being the chaste moon goddess Cynthia, and the goddess of justice, Astraea. Both are virginal figures with decidedly imperialist implications.

DEMUR

https://doi.org/10.1007/978-3-662-08393-2 of the word. Rather, an allegedly universalist selfhood emerged through the exclusion of materiality, corporeality, and ‘nature’, all of which were implicitly feminized. Masculine identity formation and the feminization of material nature are two sides of the same coin.

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