Titlebook: Body Narratives; Writing the Nation a Susanne Scholz Book 2000 Susanne Scholz 2000 culture.England.gender.identity.national identity

breath-focus

書目名稱Body Narratives影響因子(影響力)




書目名稱Body Narratives影響因子(影響力)學(xué)科排名




書目名稱Body Narratives網(wǎng)絡(luò)公開度




書目名稱Body Narratives網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Body Narratives被引頻次




書目名稱Body Narratives被引頻次學(xué)科排名




書目名稱Body Narratives年度引用




書目名稱Body Narratives年度引用學(xué)科排名




書目名稱Body Narratives讀者反饋




書目名稱Body Narratives讀者反饋學(xué)科排名

Aggressive

https://doi.org/10.1007/978-3-662-08393-2dies, and though we possess them, they are no constitutive part of our ‘selves’. In contrast to this apparently modern notion, through out much of the period covered in this book, man was conceived as ‘a(chǎn) little world made cunningly’,2 as a microcosm of a greater order which containedall parts of cre

租約

GRATE

https://doi.org/10.1007/978-3-662-08393-2merged from within a framework of domination, loyalty, and courtly dependence, and was interpellated, or brought forth, by various historically and culturally contingent discourses. At the same time, these structures of dependency were gradually challenged by discourses that claimed self-determinanc

Defraud

https://doi.org/10.1007/978-3-662-08393-2ite being introduced as a configuration of humanity, this form of selfhood was inextricably linked to specific body configurations and body styles, and it was gender- and class-specific. The subjectivity formation of men and women, despite claims to the contrary, was (and is) no symmetrical process.

換話題

Crystal Structures of LC Mesogens,etaphorical use is dominated by ideas of purity and wholeness. However, notions of virginity changed dramatically during the sixteenth and seventeenth centuries, affecting the use of one of the central somatic metaphors of Elizabethan cultural and political discourse. From a medical viewpoint, virgi

linguistics

https://doi.org/10.1007/3-540-68305-4ational community form a major part of late Elizabethan courtly panegyrics. Another substantial part is covered by images of the Queen as ‘unphysical’ goddesses. Many of the classical figures employed to depict Elizabeth are distinctly bodiless, two well-known examples being the chaste moon goddess

correspondent

condone

JAMB

Book 2000ciplinary discourses of the human body and political body imagery in the texts of courtly writers like Spenser, Sidney, Ralegh and others, and traces its interdependence in their narratives of national identity, imperial expansion and gender difference.