Titlebook: Bodies, Noise and Power in Industrial Music; Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u

Entropion

Etching

,“My Body Disgusts Me”: Swans, Biopolitics, and the Hangman’s Noose of Success, yearning croon that seeks a form of divinity alongside celestial imagery and waves of monumental sound suffused with weathered optimism. Essentially, Swans represents an interdisciplinary study in biopolitics as described in Michel Foucault, specifically how the individual confronts expectations of

事與愿違

: Industrial, Hip-Hop, and the Diasporic Condition,ressive, resistant, and distinctly localised ways. The union of industrial and hip-hop genres creates a vehicle that is philosophically primed for mobilising voices against oppressive forces. . generates and draws on these synergies to tell experiential life stories that render visible counter-hegem

手段

,“The Odds of the Body”: Clipping. and Escaping the Power Hold on the Black Body,the film . (“The Show”), and the anxiety of the human as caught in a machine in “Wake Up.” The music video for “Inside-Out” features Daveed Diggs walking at night in Los Angeles with revolving images for his head: roses, skulls, smoke, bullets, a white man’s face, and police lights. In this chapter,

公豬

放逐某人

Chance Meeting: Disembodied Voices in the Work of Nurse with Wound and Cabaret Voltaire,object into a new form is reminiscent of Magritte’s hypnotically impossible images and Duchamp’s absurd readymade sculptures’ (Bowe, Untitled review of .. ., 19 July 2018); ‘[l]ike his Dadaist heroes, Stapleton makes arresting sequences out of utter chaos’ (Linhardt, Untitled review of .. ., 10 Janu

充滿人

The Last Attempt at Paradise: Early Industrial Culture in Kansas, of relating to and resisting a state that had become shorthand for American Values, despite the proliferation of military bases and nuclear arsenals. Drawing from Burroughs’ cut-ups and first-wave industrial bands, many Kansan experimental artists used noise-and-tape loops to undermine perceptions

過(guò)渡時(shí)期

Industrial Music and Inner Experience: Aural Abrasion as a Window to Post-Subjectivity,subject, in the classical humanist sense of the word, and towards a mindset which embraces the potential for difference and the celebration of what it means to be posthuman..Industrial music, therefore, is a gateway to a radical politics of the future; by moving beyond the fragility of the subjectiv

狂怒

The Occultural Side of Industrial: From Its Origins to Industrial Black Metal,f both industrial and black metal by adopting a more esoteric type of Satanism. This chapter will explore the esoteric concepts behind different projects, probe the interrelated networks of initial industrial esoteric associations in earlier projects and bands and their influence in the evolution of

NEXUS