Titlebook: Bodies, Noise and Power in Industrial Music; Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u

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Conformations of Fluid Lipid Membranes,oyment of music and the embrace of discomfort and therefore allow insight into a politics beyond the limits of the conventional human subject. Using Elaine Scarry’s 1985 book . as a key point of reference, combined with Georges Bataille’s writing on inner experience, this analysis considers albums s

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Introduction: Assemblages and Interventions,date in the second decade of the twenty-first century and conceptualizing some of the main concerns of the collection with regard to themes of biopower, noise, and the role of marginalized bodies in the production of such music.

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Book 2022s, song writing, performance and audience reception. ??..The chapters havebeen carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women’s collaborations. Rather than providing historical context, the contr