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Titlebook: Bodies, Noise and Power in Industrial Music; Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u

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發(fā)表于 2025-3-21 18:42:39 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Bodies, Noise and Power in Industrial Music
影響因子2023Jason Whittaker,Elizabeth Potter
視頻videohttp://file.papertrans.cn/190/189526/189526.mp4
發(fā)行地址Offers a multi-disciplinary perspective on the key aspects of industrial music.The book includes analysis and interviews with artists, bands and video makers involved in the scene.First book on indust
學(xué)科分類Pop Music, Culture and Identity
圖書封面Titlebook: Bodies, Noise and Power in Industrial Music;  Jason Whittaker,Elizabeth Potter Book 2022 The Editor(s) (if applicable) and The Author(s), u
影響因子.This edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. ..With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music’s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. ??..The chapters havebeen carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women’s collaborations. Rather than providing historical context, the contr
Pindex Book 2022
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沙發(fā)
發(fā)表于 2025-3-21 20:55:10 | 只看該作者
Jason Whittaker,Elizabeth PotterOffers a multi-disciplinary perspective on the key aspects of industrial music.The book includes analysis and interviews with artists, bands and video makers involved in the scene.First book on indust
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發(fā)表于 2025-3-22 04:23:40 | 只看該作者
Pop Music, Culture and Identityhttp://image.papertrans.cn/b/image/189526.jpg
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發(fā)表于 2025-3-22 05:19:04 | 只看該作者
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https://doi.org/10.1007/978-94-011-7176-2der Michael Gira’s lyrics and imagery emphasized the dissolution of individuality when subjected to the harsh conditions of New York City in the early 1980s. However, as the music of Swans changed alongside Gira’s literary and socio-cultural interests—as well as his aspirations to breach the mainstr
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發(fā)表于 2025-3-22 15:45:39 | 只看該作者
https://doi.org/10.1007/978-1-4613-1131-7ting from various regions in the Middle East and North Africa (MENA). The purpose of . was to shine a light on women artists existing within regimes characterised by censorship, obscurantism, and gendered discrimination, and to produce an artistic statement of defiance to these paradigms of control.
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發(fā)表于 2025-3-22 18:54:05 | 只看該作者
L. G. Blomberg,M. Demirbüker,M. Anderssonolence, and torture are staples of industrial music, but clipping. presents them in a distinctly Black American context. This chapter traces the relationships of exertions of power and Black bodies throughout these two albums and music videos to examine an as-of-yet unexplored perspective on the hor
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發(fā)表于 2025-3-22 23:20:45 | 只看該作者
Lipid Analysis in Oils and Fatsthe USA which corresponded to reconfiguring the body as part of subcultural practices that had their origins in body modding practices in the gay community of the late 1970s. Body modding fetishism, especially around routines such as extreme body piercing and scarification, offered a different appro
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發(fā)表于 2025-3-23 04:09:17 | 只看該作者
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發(fā)表于 2025-3-23 08:44:10 | 只看該作者
John Katsaras,V. A. Raghunathanand released on a local indie label as .. SPK emphasized the grotesqueries of the body, with images of deformed and mutilated bodies adorning their album art (including .). Their inclusion of these bodies was to question conventional standards of beauty, display the physicality of mental disorders,
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