Titlebook: Blockbuster Performances; How Actors Contribut Daniel Smith-Rowsey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stars.pop

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草率男

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Book 2018 offering unique readings of some of cinema’s biggest hits, such as .The Dark Knight.,. Pirates of the Caribbean., .Star Wars., .Iron Man. and .The Hunger Games., this unprecedented study sheds new light on the importance ofperformance in the Hollywood blockbuster.?

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Why Do Critics and Scholars Dismiss Blockbuster Performances?, blockbuster films. Formal strategies of blockbusters—for example, green screens, kinetic action, rapid-fire editing—are thought to result in “artificial” or “cartoonish” performances, but here the author counters that the acting in influential big-budget films is better and more appropriate than it

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,Historical Epic Blockbusters: Are You Not Entertained … By Actors?, of the initial blockbuster cycle (of the 1950s and 1960s) because of what were often considered “ham-fisted,” “declamatory,” “histrionic,” or simply “bad” performances. Prompted by Vivian Sobchack’s famous essay about “surge and splendor” in the historical epic, Smith-Rowsey asks if audiences want

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Superhero Blockbusters: Actors Ahead of the Curve,nt superhero films . (2008) and . (2008). The author’s argument builds upon the timeline established in Chaps. . and ., whereby so-called “character acting” in lead performances in blockbusters became steadily more desirable than “star acting,” situating . and . as culminations and accelerations of

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