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Titlebook: Blockbuster Performances; How Actors Contribut Daniel Smith-Rowsey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stars.pop

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發(fā)表于 2025-3-21 19:36:46 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Blockbuster Performances
期刊簡稱How Actors Contribut
影響因子2023Daniel Smith-Rowsey
視頻videohttp://file.papertrans.cn/190/189172/189172.mp4
發(fā)行地址Offers a new approach to the discourse on Hollywood blockbusters by countering the conventional wisdom that “special effects are the stars” of big films.Closely examines often-dismissed performances a
學(xué)科分類Palgrave Studies in Screen Industries and Performance
圖書封面Titlebook: Blockbuster Performances; How Actors Contribut Daniel Smith-Rowsey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 stars.pop
影響因子This book examines performances in the American film industry’s highest-earning and most influential films. Countering decades of discourse and the conventional notion that special effects are the real stars of Hollywood blockbusters, this book finds that the acting performances in these big-budget action movies are actually better, and more genre-appropriate, than reputed. It argues that while blockbusters are often edited for speed, thrills, and simplicity, and performances are sometimes tailored to this style, most major productions feature more scenes of stage-like acting than hyper-kinetic action. Knowing this, producers of the world’s highest-budgeted motion pictures usually cast strong or generically appropriate actors. With chapters offering unique readings of some of cinema’s biggest hits, such as .The Dark Knight.,. Pirates of the Caribbean., .Star Wars., .Iron Man. and .The Hunger Games., this unprecedented study sheds new light on the importance ofperformance in the Hollywood blockbuster.?
Pindex Book 2018
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發(fā)表于 2025-3-21 21:39:13 | 只看該作者
https://doi.org/10.1007/2-287-33001-1r work to his work as Sparrow, as well as Ian McKellen’s non-blockbuster work to his work as (the .’) Gandalf, in order to better understand how (or if) accomplished actors “scale up” or alter their performative styles for blockbusters.
板凳
發(fā)表于 2025-3-22 03:56:53 | 只看該作者
https://doi.org/10.1007/2-287-33001-1tralizing “right for the part” actors over stars. This chapter pays particular attention to skillful performances by Heath Ledger, Michael Caine, Christian Bale, Robert Downey Jr., and Jeff Bridges, making case studies of the highly regarded “interrogation scene” in . and of Downey’s “audition tapes” for ..
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https://doi.org/10.1007/2-287-33001-1 female-led crime films modeled after . (1991). Among Smith-Rowsey’s suggestions for future research: work on “blockbuster performances” in musicals, comedies, and animated films, as well as more work on so-called “synthespians.”
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,Male-Led Science Fiction Blockbusters: Performing “Faster, More Intense”,,” and “Faster, more intense.” Smith-Rowsey also performs a limited “commutation test” comparing Eric Stoltz and Michael J. Fox in the role of Marty McFly. Finally, the author explains why the famously under-praised Keanu Reeves was a better fit for Neo than a more lauded actor such as, say, Sean Penn or Christian Bale.
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