Titlebook: Blackpool in Film and Popular Music; Ewa Mazierska Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

collagen

Introduction: The Changing Fortunes of Blackpool,rth of England and of seaside resorts. Onto them is woven a discourse of England as a country in decline, looking backward to its lost imperial glory. Finally, the introduction describes all chapters included in this collection.

defenses

調(diào)味品

,Blackpool’s Live Music Rollercoaster: From Uncle Tom’s Cabin to the Waterloo Music Bar,ishing with the Waterloo Music Bar. It demonstrates that Blackpool was a destination of many of the most popular artists and their performance there became legendary. However, many of Blackpool venues did not survive longer than one-two decades and the town lacks spaces to nurture local talent.

Hemodialysis

亞麻制品

向下五度才偏

Of Other, Gendered Spaces: The Presence of Blackpool in ,, , and ,d by the trope of the journey and the focus on female protagonists. Blackpool works in the three films as a prime location for the articulation of female desire and love, as well as frustration and intergenerational conflicts, and this can be observed in the films’ differences as well as in their interconnectedness.

態(tài)學(xué)

A Weekend in Purgatory: Blackpool in , and ,y draw on the town as a holiday destination to render the space as purgatorial, disrupting expectations of northern realism in the process. Its analysis of the films is supported by theories about time and space within narrative such as Bakhtin’s chronotope. Of specific interest is representation of female characters as angels, rescuing lost men.

Ataxia

Ewa MazierskaPresents Blackpool’s unique place in British culture through examining films and songs about Blackpool and artists connected with this city.Focuses on the most recent developments of Blackpool’s popul

北京人起源

蠟燭